Lord of the rings meme generator

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Finally found time time to play around with OpenVPN. My friend and I tried to set it up such that he can connect his pc to my pc (My PC as the host, his as the client). Although the console states that he has connected to me successfully, his public IP seems to stay the same and he cannot ping my computer. Pretty sure I did set this up wrong, but I cannot seem to find where I messed up.
I based my config file based on an example one I found online from the OpenVPN forum. Not showing my IP here for obvious reasons. I know despite calling the sever "LanServer", that it is set to "tun". I also made sure to port forward on my router, and added a rule to my firewall.
Server

port 1194 proto udp dev tun # dev-node TAP-Windows Adapter V9 ca ca.crt cert LanServer.crt key LanServer.key dh dh.pem server 10.8.0.0 255.255.255.0 # Maintain a record of client <-> virtual IP address # associations in this file. If OpenVPN goes down or # is restarted, reconnecting clients can be assigned # the same virtual IP address from the pool that was # previously assigned. ifconfig-pool-persist ipp.txt # The keepalive directive causes ping-like # messages to be sent back and forth over # the link so that each side knows when # the other side has gone down. # Ping every 10 seconds, assume that remote # peer is down if no ping received during # a 120 second time period. keepalive 10 120 # Select a cryptographic cipher. # This config item must be copied to # the client config file as well. # Note that v2.4 client/server will automatically # negotiate AES-256-GCM in TLS mode. # See also the ncp-cipher option in the manpage cipher AES-256-CBC # Enable compression on the VPN link and push the # option to the client (v2.4+ only, for earlier # versions see below) compress lz4-v2 # The persist options will try to avoid # accessing certain resources on restart # that may no longer be accessible because # of the privilege downgrade. persist-key persist-tun # Notify the client that when the server restarts so it # can automatically reconnect. explicit-exit-notify 1 

Client

# Specify that we are a client and that we # will be pulling certain config file directives # from the server. client dev tun # Windows needs the TAP-Win32 adapter name # from the Network Connections panel # if you have more than one. On XP SP2, # you may need to disable the firewall # for the TAP adapter. # dev-node "TAP-Windows Adapter V9" proto udp remote 12.34.56.78 1194 # Keep trying indefinitely to resolve the # host name of the OpenVPN server. Very useful # on machines which are not permanently connected # to the internet such as laptops. resolv-retry infinite # Most clients don't need to bind to # a specific local port number. nobind # Try to preserve some state across restarts. persist-key persist-tun # SSL/TLS parms. # See the server config file for more # description. It's best to use # a separate .crt/.key file pair # for each client. A single ca # file can be used for all clients. ca ca.crt cert Client.crt key Client.key # Select a cryptographic cipher. # If the cipher option is used on the server # then you must also specify it here. # Note that v2.4 client/server will automatically # negotiate AES-256-GCM in TLS mode. # See also the data-ciphers option in the manpage cipher AES-256-CBC # Verify server certificate by checking that the # certificate has the correct key usage set. # This is an important precaution to protect against # a potential attack discussed here: # http://openvpn.net/howto.html#mitm # # To use this feature, you will need to generate # your server certificates with the keyUsage set to # digitalSignature, keyEncipherment # and the extendedKeyUsage to # serverAuth # EasyRSA can do this for you. remote-cert-tls server 

I appreciate any help or suggestions.

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I have Iman Gadzhi – Copy Paste Agency.
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GitHub : https://github.com/facebookresearch/audiocraft
Video tutorial (with examples) : https://youtu.be/v-YpvPkhdO4
Audiocraft is a library for audio processing and generation with deep learning. It features the state-of-the-art EnCodec audio compressor / tokenizer, along with MusicGen, a simple and controllable music generation LM with textual and melodic conditioning.
PDF : https://arxiv.org/pdf/2306.05284.pdf
Abstract
We tackle the task of conditional music generation. We introduce MUSICGEN, a single Language Model (LM) that operates over several streams of compressed discrete music representation, i.e., tokens. Unlike prior work, MUSICGEN is comprised of a single-stage transformer LM together with efficient token interleaving patterns, which eliminates the need for cascading several models, e.g., hierarchically or upsampling. Following this approach, we demonstrate how MUSICGEN can generate high-quality samples, while being conditioned on textual description or melodic features, allowing better controls over the generated output. We conduct extensive empirical evaluation, considering both automatic and human studies, showing the proposed approach is superior to the evaluated baselines on a standard text-to-music benchmark. Through ablation studies, we shed light over the importance of each of the components comprising MUSICGEN.

If you are interested in Iman Gadzhi – Copy Paste Agency contact us at +44 759 388 2116 on Telegram/Whatsapp.
I have Iman Gadzhi – Copy Paste Agency.
Iman Gadzhi – Copy Paste agency is the latest course by Iman Gadzhi.
Copy Paste Agency is designed for established agency owners, who can use these lessons to scale their business.
In Iman Gadzhi – Copy Paste Agency, you will learn:

• How to continue to run a multiple-six-figure agency from home with a skeleton staff and minimal expenses
  
• How to command higher retainers… and retain those clients for longer
  
• How to automate, delegate, and optimize every area of your agency from lead generation and sales to service delivery and client communication
  

To get Iman Gadzhi – Copy Paste Agency contact us on:
Whatsapp/Telegram: +44 759 388 2116 (Telegram: multistorecourses)
Reddit DM to u/RequestCourseAccess
Email: silverlakestore[@]yandex.com (remove the brackets)

I've got a OneXPlayer 1S, the original one, delivered in 2021 during the pandemic (before the SteamDeck!). It is based on i7-1165g7, the OS is Windows 10.
Unfortunately, the main analog controller seems to no longer provide the entire movement range. Specifically, when selecting the right direction, it acts as if it was only going right "a little bit", and no fully,
Unsurprising, this has impact in games. Most notably, all racing games are no longer playable since the vehicle doesn't turn right fully anymore. Many other types of games are impacted, like platformers, which distinguish "walking" from "running" depending on direction range. And unfortunately, these games are exactly the ones I'm most likely playing on the OneXPlayer (for mouse-driven gameplay, I'm more likely going to employ a full PC station). This issue is bad enough to make the OneXPlayer almost useless in portable scenarios.
To mitigate the issue, I tried to calibrate the controller with the Windows calibration settings panel.The calibration tool also makes it possible to report the raw data values generated by the controller. It seems that, for any analog control, the tool reports a range from 0 to 65535. Most analog controls are able to generate the full range, or close to the full range.But on the main analog controller, going right only reaches 50000 max, instead of 65535.
The Windows calibration tool seems to compensate very well, since after calibration, on the calibration test tool, it looks as if the main controller is able again to provide the full range: the cross can reach all sides of the test box.
But it's as if the Windows calibration tool was its own thing, unrelated to games, or ineffective in game. Games don't seem to react to calibration changes.
Has anyone had the same problem with the OneXPlayer 1S controller? Are there known solutions to this problem ?

there was a song that i’m pretty sure was a punk song that would show up on my generated playlists that i really liked, but now i can’t find it or remember what it was called
i want to say it was a more modern british band, and i want to say part of it was “i was 11 years old when i first heard the n word” and how his mom had to explain to him what it meant and that people were being racist towards him and how it was his first experience with racism
any ideas?

If you are interested in Iman Gadzhi – Copy Paste Agency contact us at +44 759 388 2116 on Telegram/Whatsapp.
I have Iman Gadzhi – Copy Paste Agency.
Iman Gadzhi – Copy Paste agency is the latest course by Iman Gadzhi.
Copy Paste Agency is designed for established agency owners, who can use these lessons to scale their business.
In Iman Gadzhi – Copy Paste Agency, you will learn:

• How to continue to run a multiple-six-figure agency from home with a skeleton staff and minimal expenses
  
• How to command higher retainers… and retain those clients for longer
  
• How to automate, delegate, and optimize every area of your agency from lead generation and sales to service delivery and client communication
  

To get Iman Gadzhi – Copy Paste Agency contact us on:
Whatsapp/Telegram: +44 759 388 2116 (Telegram: multistorecourses)
Reddit DM to u/RequestCourseAccess
Email: silverlakestore[@]yandex.com (remove the brackets)

GitHub : https://github.com/facebookresearch/audiocraft
Video tutorial (with examples) : https://youtu.be/v-YpvPkhdO4
Audiocraft is a library for audio processing and generation with deep learning. It features the state-of-the-art EnCodec audio compressor / tokenizer, along with MusicGen, a simple and controllable music generation LM with textual and melodic conditioning.
PDF : https://arxiv.org/pdf/2306.05284.pdf
Abstract
We tackle the task of conditional music generation. We introduce MUSICGEN, a single Language Model (LM) that operates over several streams of compressed discrete music representation, i.e., tokens. Unlike prior work, MUSICGEN is comprised of a single-stage transformer LM together with efficient token interleaving patterns, which eliminates the need for cascading several models, e.g., hierarchically or upsampling. Following this approach, we demonstrate how MUSICGEN can generate high-quality samples, while being conditioned on textual description or melodic features, allowing better controls over the generated output. We conduct extensive empirical evaluation, considering both automatic and human studies, showing the proposed approach is superior to the evaluated baselines on a standard text-to-music benchmark. Through ablation studies, we shed light over the importance of each of the components comprising MUSICGEN. Music samples, code, and models are available at github.com/facebookresearch/audiocraft

Hello everyone! Brand new to this game (avid gamer but never historical strategy), specifically got it on my MacBook instead of my ps5 for this mod (was a huge fan of Game of Thrones Conquest for mobile and this seems like a far superior version). I’ve ran through twice, first as Lord Protector of the Vale as my own character and secondly as a Ned play through. I’m terrible! The game seems very in depth and there’s a lot of mechanics I don’t fully understand/are aware of yet. What are some tips you’d give a brand new player to this game? And how the heck can I stay out of debt and build up a brand new house to take over the realm?

GitHub : https://github.com/facebookresearch/audiocraft
Video tutorial (with examples) : https://youtu.be/v-YpvPkhdO4
Audiocraft is a library for audio processing and generation with deep learning. It features the state-of-the-art EnCodec audio compressor / tokenizer, along with MusicGen, a simple and controllable music generation LM with textual and melodic conditioning.
PDF : https://arxiv.org/pdf/2306.05284.pdf
Abstract
We tackle the task of conditional music generation. We introduce MUSICGEN, a single Language Model (LM) that operates over several streams of compressed discrete music representation, i.e., tokens. Unlike prior work, MUSICGEN is comprised of a single-stage transformer LM together with efficient token interleaving patterns, which eliminates the need for cascading several models, e.g., hierarchically or upsampling. Following this approach, we demonstrate how MUSICGEN can generate high-quality samples, while being conditioned on textual description or melodic features, allowing better controls over the generated output. We conduct extensive empirical evaluation, considering both automatic and human studies, showing the proposed approach is superior to the evaluated baselines on a standard text-to-music benchmark. Through ablation studies, we shed light over the importance of each of the components comprising MUSICGEN. Music samples, code, and models are available at github.com/facebookresearch/audiocraft

The scale of Minecraft worlds has become immense, making it challenging to create impressive mega builds or expansive mining pits that truly feel "mega."
To address these issues, I propose an update called “The Big Dig” (or "Big and Dig"). This update would introduce various blocks that can grow like a sapling into large, irregular clumps, helping players construct their creations without the game entirely doing it for them. The growth patterns of these blocks should be diverse (and preferably inconvenient in some way) yet somewhat predictable across different materials.
The Big
The Seedstone
These blocks could act as a sort of growth catalyst for miscellaneous blocks. As in you place down the block like a sapling and when toggled with a specific item, grow like a tree into whatever convenient or wacky shapes or properties the developer’s fancy.
To balance out the mechanics of these seedstones they should require more blocks put into them than they put out. E.g. 64 stone creates 1 stone seedstone, 1 stone seedstone creates 16 stone (as a semi-randomized clump). And a special property that this specific seedstone could have is the chance to generate infested stone among the normal stone, giving players the chance to farm silverfish.
I think this idea could potentially be a very, very powerful game mechanic, as it could;

• help alleviate the inventory space issue without reinventing it
• help alleviate chest monsters by nomming up useful building blocks into more easily useable and compact packages that can be used for building elsewhere
• assist the building and construction process without automating it, whilst also keeping it resource and time intensive without it becoming too obtrusive
• enhance creativity as these blocks could not only be used for building but also mini-games given their limitless potential to add other in game mechanics and properties
• bring back terraforming as a more achievable building discipline, since players can now build up their own organic creations big enough to compete with the new world generation
• be a very, very fun mechanic to implement for the devs since it could give them lots and lots of options and the chance to implement their creativity to add mischievous mechanics, shapes, easter eggs, etc in a fun and meaningful way.

Ways I think this mechanic should be constrained;

• It could easily become overpowered if the seedstone outputs more blocks than they require. I think it’s a very reasonable expense to waste resources for convenience.
• These blocks could very easily be used as a griefing tool. So they should not be able to eat other blocks or certain types of entities.
• These seedstones should not spawn naturally in the world as it could be jarring to new players. They should be craftable.
• Should have a crafting recipe or special table of some kind to craft that does not lean too heavily in favour of redstoning or automation. (Advanced redstoning is a bit too powerful in my opinion and has largely broken the in-game economy between redstoners and non-redstoners)

The Dig
The Witherstone
This block does the opposite of the seedstone rather than helping players place blocks, it helps them remove blocks.
When placed, the Witherstone emits a decay aura in a certain radius around it. Any blocks within this radius gradually deteriorate over time, starting from the closest blocks to the Witherstone and spreading outwards (or just deteriorates all the block in the radius at an equal rate). The decayed blocks turn into crumbling versions with a distinct visual appearance (some blocks should be immune to this). If left to decay for an unlimited time the blocks will disintegrate into nothing, but if the fuel is timed to run out correctly the blocks should stay in a frozen crumbled state (unless the wither stone is destroyed) with a greatly reduced time to mine. To keep it simple most blocks should be clumped up into certain specific deterioration times e.g. stones, soils, woods, etc. To allow for use in more than just mining.
I think this idea could potentially be a very, very powerful game mechanic, as it could;

• Majorly speed up the mining time in caves (particularly deepslate tortur- I mean mining) without requiring the need for redstone tunnel bore
• Add controlled decay as a build feature by properly timing the fuel source. This could provide a balance between efficient block removal and maintaining the desired visual aesthetics
• Apply to a wide range of blocks with differing effects, allowing the player to use witherstone beyond mining, enabling it to be used in various aspects of gameplay including building, landscaping and even custom map creation.
• The crumbling versions of decayed blocks created by the Witherstone introduce a distinct visual aesthetic. This can enhance builds that embrace a decaying or post-apocalyptic theme, adding a unique atmosphere and visual appeal to the Minecraft world.
• allow for the preservation of resources. By selectively decaying blocks and freezing them in a crumbled state, players can utilize those blocks without them disintegrating entirely, reducing the need for gathering new resources.
• The mechanics of the Witherstone introduce a new challenge and strategic element to the game. Players must carefully manage the decay process, considering timing and fuel sources to ensure desired outcomes. This adds depth and complexity to gameplay, providing a rewarding experience for players seeking more intricate gameplay mechanics.
• The Witherstone's decay aura and block deterioration mechanics offer players opportunities for customization and personalization. Players can experiment with different decay rates, patterns, and block combinations to achieve unique visual effects and creative designs.

Ways I think this mechanic should be constrained;

• The decay aura of the Witherstone could lead to unintended destruction if not carefully managed. Players may accidentally decay blocks they intended to keep, causing a loss in resources or undesired alterations to their builds.
• While the crumbling versions of decayed blocks can add a unique visual aesthetic, it may also lead to inconsistencies in the overall appearance of builds. If not used strategically, the decayed blocks may clash with the surrounding environment or disrupt the intended design.
• The decay aura of the Witherstone may have computational implications on multiplayer servers, especially if many Witherstones are active simultaneously. The continuous decay calculations and block updates may impact server performance or introduce lag.
• The mechanics of the Witherstone, such as managing fuel source timing and understanding decay rates, may introduce complexity to gameplay. This could pose challenges for new or casual players who may find it difficult to grasp and utilize the mechanics effectively.
• The decay aura of the Witherstone could interfere with naturally generated structures or biomes, leading to unintended decay effects on valuable or unique elements of the Minecraft world.
• The decay aesthetics introduced by the Witherstone may have limited applicability and appeal within certain building styles or themes. Players who prefer cleaner, pristine builds may find the decayed blocks less desirable or incompatible with their desired aesthetics.

And like I wrote before;

• These witherstones should not spawn naturally in the world as it could be jarring to new players. They should be craftable.
• Should have a crafting recipe or special table of some kind to craft that does not lean too heavily in favour of redstoning or automation. (Advanced redstoning is a bit too powerful in my opinion and has largely broken the in-game economy between redstoners and non-redstoners)

So what do you think? Do you think this would break minecraft or better it?

I was baptized and chrismated in April this year, having tried to lead as Christian and Orthodox of a life as I could since December 2020. However, every time I’ve tried to truly commit myself and my life to Christ, I’ve always fallen away from it into sheer sin. This most recent time I’ve started to go out partying with friends again, and smoked a cigar when I got home, which I deeply regret. I’m neglecting exercise, hygiene some nights, and trying to run myself into the ground, only to try to repair myself every morning, try to adopt a vigorous prayer routine, which, every single time, it reaches a point where I can’t even say Our Father without feeling pain and resentment. I never feel peace when I pray, primarily dread and fear. I can’t just talk to my priest or do confession because in the Armenian Church we do general absolution and I’m very shy with the people in my church and my priest as well. I feel like a lost cause, and the whole idea that Christ loves us no matter what is beginning to feel uncomfortable and painful to me. Why would Christ ever love someone so wretched as me, who doesn’t commit to him, sins every day, and leads a life far from his lovingkindness? I just hope you can pray to the Lord and all manner of Saints for me that I might, once and for all, actually feel Jesus to be real and present in my life, and that I might serve him without hurting myself, Him, or anyone or anything around me ever again. I’m tired of making the mistakes that I do, and I just want to really love God. Please, brothers and sisters, pray for me. In the name of the All-Holy Trinity, Amen.

GitHub : https://github.com/facebookresearch/audiocraft
Video tutorial (with examples) : https://youtu.be/v-YpvPkhdO4
Audiocraft is a library for audio processing and generation with deep learning. It features the state-of-the-art EnCodec audio compressor / tokenizer, along with MusicGen, a simple and controllable music generation LM with textual and melodic conditioning.
PDF : https://arxiv.org/pdf/2306.05284.pdf
Abstract
We tackle the task of conditional music generation. We introduce MUSICGEN, a single Language Model (LM) that operates over several streams of compressed discrete music representation, i.e., tokens. Unlike prior work, MUSICGEN is comprised of a single-stage transformer LM together with efficient token interleaving patterns, which eliminates the need for cascading several models, e.g., hierarchically or upsampling. Following this approach, we demonstrate how MUSICGEN can generate high-quality samples, while being conditioned on textual description or melodic features, allowing better controls over the generated output. We conduct extensive empirical evaluation, considering both automatic and human studies, showing the proposed approach is superior to the evaluated baselines on a standard text-to-music benchmark. Through ablation studies, we shed light over the importance of each of the components comprising MUSICGEN. Music samples, code, and models are available at github.com/facebookresearch/audiocraft

So I was doing yard work earlier today and I decided to listen to some LP to motivate me to work since I’m a lazy slob and can’t do work on my own without some motivation lol. Well anyway I decided to listen to HT since I hadn’t listened to that in a pretty long time and when I got to Runaway right in the middle of the song right before the bridge something weird happened.
Outta nowhere the song switched to Cure for the Itch for some reason and I was super confused cuz it wasn’t even like the next track that would come up so I knew I didn’t somehow accidentally skip it even tho I wasn’t holding my phone lol.
Well anyway during my confusion I finally realized which song was playing when I heard: MR HAAAAAAAAAAAAHHHHHNN lol.
I think it’s even funnier considering I kinda meme this line a lot so yea that was just a little funny LP related thing that happened to me today.
What is one of ur funny LP related stories?

I recently finished reading Vagabond. It's a fictionalized version of Miyamoto Musashi's journey (the legendary Japanese swordsman who wrote The Book of Five Rings)
I'm not a big manga guy, I've read a few here and there. But I really want to read a book that made me feel the same way Vagabond did.
For those unfamiliar with it, it's about Musashi's journey of self discovery and understanding himself, the human condition, his goals, ambitions, etc. It is deeply spiritual at times and incredibly motivating.
I need something that is similarly plot driven but also spiritual or philosophical in some way. Siddhartha by Hermann Hesse seems like a good example. I haven't read it myself but from what I know about it, it seems like one. It's on my list already, but I don't find the plot to be as appealing as a ronin taking on 70 disciples in one fight and realizing the futility of his ambitions.
So a book that is driven by a fictional narrative, or something seemingly too incredible to be real, but also philosophical.

GitHub : https://github.com/facebookresearch/audiocraft
Video tutorial (with examples) : https://youtu.be/v-YpvPkhdO4
Audiocraft is a library for audio processing and generation with deep learning. It features the state-of-the-art EnCodec audio compressor / tokenizer, along with MusicGen, a simple and controllable music generation LM with textual and melodic conditioning.
PDF : https://arxiv.org/pdf/2306.05284.pdf
Abstract
We tackle the task of conditional music generation. We introduce MUSICGEN, a single Language Model (LM) that operates over several streams of compressed discrete music representation, i.e., tokens. Unlike prior work, MUSICGEN is comprised of a single-stage transformer LM together with efficient token interleaving patterns, which eliminates the need for cascading several models, e.g., hierarchically or upsampling. Following this approach, we demonstrate how MUSICGEN can generate high-quality samples, while being conditioned on textual description or melodic features, allowing better controls over the generated output. We conduct extensive empirical evaluation, considering both automatic and human studies, showing the proposed approach is superior to the evaluated baselines on a standard text-to-music benchmark. Through ablation studies, we shed light over the importance of each of the components comprising MUSICGEN. Music samples, code, and models are available at github.com/facebookresearch/audiocraft

GitHub : https://github.com/facebookresearch/audiocraft
Video tutorial (with examples) : https://youtu.be/v-YpvPkhdO4
Audiocraft is a library for audio processing and generation with deep learning. It features the state-of-the-art EnCodec audio compressor / tokenizer, along with MusicGen, a simple and controllable music generation LM with textual and melodic conditioning.
PDF : https://arxiv.org/pdf/2306.05284.pdf
Abstract We tackle the task of conditional music generation. We introduce MUSICGEN, a single Language Model (LM) that operates over several streams of compressed discrete music representation, i.e., tokens. Unlike prior work, MUSICGEN is comprised of a single-stage transformer LM together with efficient token interleaving patterns, which eliminates the need for cascading several models, e.g., hierarchically or upsampling. Following this approach, we demonstrate how MUSICGEN can generate high-quality samples, while being conditioned on textual description or melodic features, allowing better controls over the generated output. We conduct extensive empirical evaluation, considering both automatic and human studies, showing the proposed approach is superior to the evaluated baselines on a standard text-to-music benchmark. Through ablation studies, we shed light over the importance of each of the components comprising MUSICGEN. Music samples, code, and models are available at github.com/facebookresearch/audiocraft